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Albums of the Year 2016


It didn't quite live up to 2013's standards, but 2016 has been a stellar year for album releases. We've seen musical giants release eagerly-anticipated (and sometimes completely unexpected) records, new artists break onto the scene and a few curveball released thrown into the mix. 2017 is set to follow the trend and dish out a whole new bunch of tasty releases too. 

Once again, in no particular order, we've narrowed it down to our top five favourite album releases of 2016. Hopefully you'll find one of your favourite records of the year here or you might even discover something that's passed you by in recent months. Either way - enjoy the list!


Warpaint - Heads Up



This album came as a huge shock to fans when it was released at the end of September. The aftermath of their 2014 self-titled album saw the four-piece drift apart and pursue various individual projects, making it appear unlikely for them to head back into the studio and record another album together. 

However, the initial cut from the album 'New Song' cast new light on the group. Arguably their most triumphant work to date, the album is informed by hip-hop and R&B and sees the fiery females channelling moody downtempo rock. 

Where the LA quartet go from here is unclear. They have a huge run of tour dates booked in for 2017 but to out-do their third studio release would be an almighty task. We reckon they'll give it a go anyway. 


Bon Iver - 22, A Million



What a year it's been for third albums! Justin Vernon (the man behind Bon Iver) broke his five-year silence and dropped 22, A Million and we fell in love with it precisely a million times over. 

Playing the album in its entirety in Vernon's hometown of Eau Claire, Wisconsin was a bold move, albeit one he pulled off in true Bon Iver style. This album is his most experimental work to date and the different path he's taken truly paid off with the likes of slow beauties '33 God' and '8 (Circle). 

The record documents the struggle of identity whilst ensuring people learn that you don't have to fully 'get' a piece of music to take pleasure from it - and there's a lot of pleasure to be found here. 


Blossoms - Blossoms



Stockport's finest five-piece pulled out all of the stops for their debut album in August. Numerous outlets have tapped them as the UK's most exciting new act and there's plenty of conviction to back those claims up.

The track-listing of Blossoms' self-titled debut reads like a 'best of...' album, when really it's their first full-length EP. Tracks like the effortlessly catchy 'Texia' and the 80s indebted 'Honey Sweet' stand out as album highlights, whilst old fan favourites 'At Most A Kiss' and 'Blown Rose' have been added to the mix too. 

Blossoms' first release is jam-packed with radio-friendly hits, electrifying synths and guitar hooks that grab you by the neck. It will be a tricky one to follow up when they get round to writing that all-important second album, but if anyone can do it it's Blossoms. 


Two Door Cinema Club - Gameshow



They kept us in the dark for the last couple of years but everyone's favourite Irish trio, Two Door Cinema Club stepped up and delivered when it really mattered. Their third studio album 'Gameshow' saw them pick up where they left off with previous albums 'Tourist History' and 'Beacon'. 

After premiering the lead single 'Are We Ready (Wreck)' on Radio 1 in June, the band made their public announcement that they were back and ready to conquer the charts all over again. 

Tracks from the record, such as 'Bad Decisions' and 'Fever' are fast-paced and flashy. The upbeat disposition we find the three-piece in is the closest they have ever drifted to the dance genre. It works for them too. 

Two Door Cinema Club's reinvigorated sound is pleasing and will, no doubt, go down a storm during the live UK shows next year. 'Gameshow' is an album for the die-hard, casual and recently acquired fan of Two Door Cinema Club. 


The Courteeners - Mapping The Rendezvous



"No one will ever replace us" sings The Courteeners' frontman Liam Fray on the memorable album track of the same name. The Mancunians' fifth studio album is a swaggering call to arms that is likely to see chaos ensue at festivals next summer. 

Garage-psych opener 'Lucifer's Dreams' marks a different direction for the band, whilst 'De La Selle' finds Fray coming over all Morrissey-esque on us. The Courteeners have one of the best fan bases of any band in Britain, yet they still remain relentlessly on the edge of the mainstream. 

Maybe one day they'll crack it - it would be hard for them not to when they're already selling out the 25,000 capacity Heaton Park and are due to play the 50,000 capacity Old Trafford cricket ground next May. Whatever happens, 'The 17th' will sound breathtakingly fantastic when crowds sing it back to them at the end of shows. 


Words Lauren Wade

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Bon Iver announces new Brixton Academy show


Bon Iver have added a new show at Brixton Academy in support of their recent album '22, A Million'. 

The new date on their February UK tour will take place on 17th February, explaining the odd gap between the band's dates at the Roundhouse in Camden and the Hammersmith Apollo. 

Bon Iver will play four dates in London, two nights in Edinburgh and a bonus show in Blackpool. 

Tickets go on general sale from 10am on Friday 16th December. 

See all of Bon Iver's UK tour dates below.

FEBRUARY
10 Blackpool, Empress Ballroom
12 Edinburgh, Playhouse Theatre
13 Edinburgh, Playhouse Theatre
15 London, Roundhouse
16 London, Roundhouse
17 London, Brixton Academy
19 London, Eventim Apollo, Hammersmith

Words Lauren Wade


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Review: Bon Iver '22, A Million'


It's been five years since we last heard from Justin Vernon, the man behind Bon Iver and his third album shows he's not one for convention or rule-following. News of his latest release reached fans when he played the album in its entirety at his own festival in his hometown of Eau Claire, Wisconsin. The mostly unpronounceable track names were sent out via an app and tongues have been waggling away ever since. 

Vernon's most experimental material yet has been a long time in the making. The eagerly-anticipated third album borders on hypnotic and will have you rushing to repeat the ten beautifully blissful ballads over and over. Tracks such as '33 "God"' are laced with the simplest of songwriting and soaring melodies that sound utterly divine when fixed together. 

Ever since Vernon's 2012 (arguably rightful) Grammy Awards win, the discussion has rarely halted amongst critics and fans alike as to what path the musician would choose when it came to making the next move in his career. '22, A Million' is edgier, bolder and more fantastic than ever before but it took more than just a prestigious award win to turn him to the experimental side and bring him out of the mythical cabin.

Vernon's 2011 self-titled album 'Bon Iver' read like a 'Visit Wisconsin' advert, with its geographic track names and autumnal tunes the perfect accompaniment for any woodland walk. '22, A Million' sees a departure from this past seasonal state. ‘10 d E A T h b R E a s T ⚄ ⚄' features heavy uses of synthesisers and manipulated vocals that Vernon had yet to tackle, but this mesmerising track nails it in one. 

That's not to say all of the elements of his previous material are rendered obsolete. '666 ʇ' sounds the most stylistically similar to old hit single 'Blood Bank', proving there's still a touch of the former insular musician tucked away inside Vernon somewhere. Similarly, album opener '00000 Million' and '8 (Circle)' take on more melancholic tones and feel more closely related to songs from Vernon's 2008 breakout album 'For Emma, Forever Ago'.

Justin Vernon may have spent a fair amount of time on the brink of isolation in the past, and he may not have employed the same tactics with record number three but his labour's pulled off, regardless of the route he took to get there. The otherworldly balled-packed album documents the struggle of identity whilst ensuring that people learn you don't have to fully 'get' a piece of music to take pleasure from it. 

Words Lauren Wade




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