Showing posts with label Punk. Show all posts

The Orwells 'Dirty Sheets'

Dirty SheetsHailing from Illinois, Chicago - The Orwells are a young five-piece who describe themselves as sounding "real raunchy n shit". They also label themselves as "flower punk" which we whole-heartedly agree with. Following their recent appearance on Later... with Jools Holland, the psych/punk sucker-punch will release new single 'Dirty Sheets' on 13th January 2014. This also follow's the band's EPs 'Other Voices' and 'Who Needs You'.
'Dirty Sheets' is a sub-three minute track of pure filth. Trance-inducing riffs and outrageously catchy melodies ensure listeners' knowledge that The Orwells deal only in epics. If you're looking for a track that cranks up the frenzy, whilst sweeping you away into a dizzying whirl of riffs and beats; look no further than this impossibly moreish yet sleazy beauty.

Words Lauren Wade
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Cross Wires 'Battis'

London based punk four-piece Cross Wires boast a raw, scratchy sound with the demo of their new EP Battis. Gigs at Camden Barfly, Proud and The Bowery under their belt during their formative years have only helped them on their way to the top. What's more impressive is that they aren't afraid to condense complete chaos into such a short space of time.
Their latest offering, released under the working title of Battis, makes you want to dig out your Doctor Martens' boots and stomp around in style as they deliver their fresh, pounding soundtrack. Opening number Acid Bath is punchy to its core, whilst containing an unapologetic vibe, which implies the band don't really care whether you like their sound or not; their in it purely for the music. With a circling refrain and consuming drumbeat, it's hard not to be won over by this attempt.
The band take it to another level with Technology, a slightly longer track where the vocals and inescapable riffs scour our ears (and minds) of all the chart drivel we happen to have fallen victim to. Sidewalk doesn't have quite the same effect of the previous two tracks. It's slow, burned out nature feels like a filler used in order to keep the music in constant continuation. Even though the pace is picked up towards the end, it feels oddly out of place on this particular EP. However, it may work as a stand alone single.

Final number Strangers Bed is a thriller from the second the drumbeat kicks in, to the moment the jangly guitar ring out in full glory. The track rewinds to the noughties when The Libertines were a band on the rise, at times you can't help but be carried away by the notion that Cross Wires have a tendency to rely on their influences too much. With a little polish on the vocals and a touch of variety between tracks, Cross Wires could really be on to something.

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The Orwells

Illinois based flower punk band The Orwells may only be young, (at eighteen years of age) but they sure know a thing or two about making quality music. Signed to Autumn Tone Records, the American five piece have gigged with high profile bands such as Palma Violets, and more recently they were pleasing crowds at Brighton's The Great Escape Festival. Connected by the same musical tissue, The Orwells capture punk's finer moments and forge a musical identity of their own.
 
Produced by Dave Sitek, the band treat us to three minutes of assertive riffs on Other Voices. With frantic drumming and an accelerating pace, The Orwells exert a sound beyond their years, transporting listeners back to the noughties when The Strokes were in their prime. Mallrats, is another rough and ready number with raw garage vocals scattered throughout the track. Little has been said about the band's influences, but with mega tunes like these it wouldn't be a surprise if The Rolling Stones and The Stooges turned out to be the ones.
 
Final track, Head continues in the same vein we've been travelling down. With a sense of menace here, and pulsing guitar lines there, The Orwells have crafted a scratchy riffed racket that will linger in listeners minds. The band describe themselves as sounding "real raunchy and shit", whilst raunchy they are, shit they are most definitely not.
 


 
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