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The Rebel Light 'Jukebox Dream'

If you like your music with throwback vibes; Southern-Californian trio The Rebel Light are your go-to guys. Basking in all its DIY glory, their new track 'Jukebox Dream' is driven by retro-tinged guitar lines that flow into smooth instrumentation, accompanied by a crisp vocal.
Carving out a personality of their own, the trio sweep listeners into a dreamy, hazy state where the 60s never ended and overdosing on flower power riffs is considered standard practise. Lyrics like "I fell for you, I got a love that's come true" are textbook but nothing can be deducted from the feel-good factor at work here. Looking to recapture a part of that 60s spirit? Give a listen to this Lennonesque group and prepare to fall slowly and then all at once for their light-hearted thrills.

Words Lauren Wade

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WATCH: Arctic Monkeys 'One For The Road'

WATCH the newly-released video for Sheffield four-piece Arctic Monkeys' latest single 'One For The Road'. Filmed in West Illinois, the video sees guitarist Jamie Cook take to a tractor in full-on farmer chic mode. If you're more of a Jamie girl the nonsensical visuals will go down a treat, but the rest of us will be left wondering why there are tractors involved; even Alex Turner looks confused.
 
Arctic Monkeys are currently touring across the UK and are set to play:
 
Earls Court, London (25/26 Oct)
Echo Arena, Liverpool (28 Oct)
Motorpoint Arena, Cardiff (29 Oct)
LG Arena, Birmingham (31 Oct)
Hydro, Glasgow (01 Nov)
Motorpoint Arena, Sheffield (02 Nov)
 
 
http://www.arcticmonkeys.com/
https://www.facebook.com/ArcticMonkeys
http://www.twitter.com/arcticmonkeys
 
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Jake Bugg 'Slumville Sunrise'

Nottingham-born teenage rocker Jake Bugg has unveiled his latest Rick Rubin produced track 'Slumville Sunrise'. Taken from the singer's forthcoming second album 'Shangri La', Bugg's latest offering picks up where first taster 'What Doesn't Kill You' left off.
 
Packed with razor-sharp riffs and phenomenal guitar solos, Jake Bugg appears to have found his sound - a curious hint as to what Arctic Monkeys would sound like if they upped the 60s vibes and invited The Strypes to collaborate on a track or two. The latter half of the tune, seems like it would feel more at home in the peak of Britpop, although Bugg has whipped up yet another dose of straight up rock'n'roll for the masses to devour.
 
 
 
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Burning Condors 'Last Train Home'

Following the release of their debut album 'Round Our Way' last month, London four-piece Burning Condors are back with the brilliant 'Last Train Home'. The track sees the group sounding like they've spent far too much time holed up in Joshua Tree with Josh Homme and co; expect a storm of frenzied beats and chest-thumping volume.
 
A tune that is likely to see them heighten their standing, 'Last Train Home' opens with a riff that allows them to sound like returning heroes. Whilst, we find them in stoner rock mode once more, the tired comparisons to Queens of the Stone Age can well and truly be dropped - Burning Condors craft music that is undeniably theirs time and time again and will unquestionably propel them to further success.
 
'Last Train Home' is released via Snakehand Records on Monday October 28th.
 
 
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LISTEN: Bipolar Sunshine 'Love More Worry Less'

LISTEN to the breezy, melodic interludes and stylings of Manchester-based Adio Marchant, who now goes by the name of Bipolar Sunshine, on new track 'Love More Worry Less'. Taken from the forthcoming EP 'Drowning Butterflies' Marchant makes his mark uplifting beats and catchy hooks you won't be forgetting in a hurry.

 
 


 
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Haim 'Edge'

After dropping their debut record 'Days Are Gone' a few weeks back, that went on to take the number one spot in the UK album charts, the Haim sisters (hailing from California) are back with a fresh cut, co-written with Twin Shadow (George Lewis Jr).
 
'Edge' holds the same fresh-faced appeal to that of album track 'Forever', whilst middle sister Danielle's vocals delivers to an impressively high-standard on vocal duties. Elder sibling Este, known for her infamous 'Bassface' incorporates bass chords that underline the sound and serve as a driving beat.
 
Haim consistently craft tracks with glossy backdrops and 90s R&B harmonies, with 'Edge' being no exception. Although, this tune stays firmly away from the edge, cowering in the middle of a sound we've become comfortably familiar with. Let's hope they amp up the rock'n'roll on the next offering.
 



 
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Thom Morecroft 'You're Wrong About Me'

Liverpool based singer/songwriter Thom Morecroft (originally from Shropshire) is back with new single 'You're Wrong About Me' featuring fully developed clean playing and a corrosively beautiful nature. The sub-four minute track is a dreamy wonder from start to finish, although it's the dusty yet accessibly hooky chorus that sparks attention.
 
Morecroft sticks to his trademark winning formula of folkpop acoustic numbers and it's at this point where subtlety replaced bravado, in a manner that grabs you by the scruff of your collar and demands you listen to these delicate sounds. Any new offering from Thom Morecroft is bound to be special, but 'You're Wrong About Me' is sharp, emotive and accomplished; it shows exactly what he's capable of. Let's hope this track sees him move on to bigger and better things soon.
 
 
 
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The Illustrations '18th Century Romantic Poets'

Swindon duo, The Illustrations stand apart from their fellow musicians, blending a mix of nu-psych rock with breathy, pillow-talk vocals. Their track '18th Century Romantic Poets' opens with a psychedelic corkscrew riff that sets the pace for what's to follow in the next four and a bit minutes.  
 
Sounding slightly like The Beatles 'Get Back' in places, the sheer force of their sound cannot and shouldn't be undermined. Whilst, they may be fairly unknown in the industry, the instrumentation is strung together professionally with additional polish that sees them destined for bigger things. Still not convinced? What really works here is that they're not trying to outshine each other, they harmonise in every possible sense of the word, resulting in an end product that's slick and waiting to be unwrapped. Give them a listen - it'll be the best decision you'll make all day.



 
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Jake Bugg 'What Doesn't Kill You'

Nottingham-born singer/songwriter Jake Bugg is back doing what he does best on the new single taken from his forthcoming second studio album 'Shangri La' due for release on 18 September.
 
After working with legendary producer, Rick Rubin, Bugg unleashed the new track on Tuesday (24) which was received to rave reviews on social media sites. The sub-three minute tune has been described by some as like "Arctic Monkeys on helium" although the rockier direction Bugg has moved into is a bold step for the 19 year old.
 
Whilst some might require a few listens to fully appreciate this latest offering, you'll definitely be slipping on your leather jacket and vibing hard after leaving some time for the punchy, fast-paced riffs to sink in and circle your mind for the remainder of the day.
 
Jake Bugg's debut self-titled album is nominated for the Mercury Prize 2013. You can catch him on his upcoming UK tour throughout October and November.
 
 
 
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MGMT 'Cool Song No. 2'

With the release of their self-titled album, American psych-rock quintet MGMT have also released new track 'Cool Song No. 2'. As a band best known for their scattered hits through the years, the follow-up to previous material could have gone either way, fortunately their third release is saved by a sprinkling of weird and wacky in the form of this particular track.
 
An initial listen, will leave you questioning who created this shadowy psych swirl; it's almost unrecognisable from any direction the group have ventured into before. As we delve deeper into their curious new sound, we discover that what works foremost is that their psychedelic, soulful slow jam casts a haze over listeners in a fashion that has not been done before - not from MGMT anyway. Whilst this is no lyrical masterpiece, the band have definitely unleashed a tune on unsuspecting ears that will continue to flourish due to its entrancing oddness.
 
WATCH the video for 'Cool Song No. 2' below.
 
 


 
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A Lovely War 'Ezra'

Blending the creative talents of Sean Keogh and Patrick Hughes, A Lovely War is the product of their efforts, a newly formed Liverpool-based duo sculpting psych swirls ready to blow the music industry wide open. Their EP Ezra is an early taste of what's to come from this promising pair, and if Liverpool keeps throwing up raw talent in the vein of A Lovely War - NME might finally shift their omnipotent focus away from the B-Town scene to the northern bunch.
 
Acting as a snapshot of where they're currently at, Baby, Don't Be So Defensive serves as an emotional plea to a lover, and there's plenty of talk about what happened last night and 'where to go from hear' which raises lingering questions but we can let it slide for now. Beneath their light-hearted frills, there's a moody intensity flickering away with no likelihood of burning out anytime soon.

Whilst they may appear indebted to Vampire Weekend, particularly in places such as on hilariously ironic title-track Ezra, they can be forgiven as they fuse their 'borrowed goods' with aspects of reggae. An interesting move that sees a divide visualise between them and the rest of their fellow Merseyside music makers.

Final offering, Maxine, We're Alive! feels fit to soundtrack a Mario Bros Adventure, incorporating touches of a playful nature. It's rich, layered jangly twangs are the secret weapon to this EP and it becomes evident on this departing number why it was saved for the end. A Lovely War are destined for stages beyond their reckoning, a slot on Glastonbury's BBC Introducing Stage and an opportunity to show that they can hold their own playing further afield, rather than cutting their teeth on the Liverpool gig circuit is just what they need. Keep an eye out for this duo as they aren't set to disappoint anytime soon.


 

 
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LISTEN: Parquet Courts 'You've Got Me Wonderin' Now'

Parquet Courts Announce New EP, Share American punk rockers, Parquet Courts, who aren't particularly fond of any form of attention are back with a brand new offering. Taken from their forthcoming EP Tally All The Things That You Broke, You've Got Me Wonderin' Now contains some rather questionable features, hooks galore and the snarling energy we're often exposed to with this group is present - but only in a half-hearted attempt.
 
It's still worth a download, but would we attend their one-off show at London's Old Blue Last on Monday? (August 19) probably, but only because it's free entry. Let's hope this upcoming EP is brimming with some stronger tracks and super-sized anthems.

6/10
 


 
 
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The Strypes 'What A Shame'

Irish four-piece The Strypes have returned once more delivering the goods, on new single What a Shame. With blistering guitar hooks that provide a reason to get excited about music again, and enduring riffs galore - the young band have more than proved they are worthy at supporting Arctic Monkeys on their upcoming UK tour this autumn.
 
The signature dish on offer here is a brew of catchy retro guitar hooks, squalling guitar solos that are the musical equivalent of comfort food, and as ever their latest tune recalls the 50s. The musical stakes are rising and it's certainly not a playground game for the lads. They appear as professional as you can at 16/17, although sometimes it feels like they have it together, more so than some established rockers in their prime.
 
Rising in the ranks of the musical monarchy at a frightening pace, the band are getting there. The Strypes capture the raw energy and passion of their live sets in their recordings, which is something few others manage. Each release gets better and better, tantalisingly hinting that we are being led to the point where their career will implode, and they will scatter themselves among the bands that are really at the top of their game.
 
 
 
 
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Haim 'The Wire'

They haven't released an album yet, and although iTunes is jam-packed with their glitzy retro EP's, you could easily forgive us for wanting more from Haim. Consisting of three sisters, with long flowing hair and attitude almost as impressive as the tunes, Alana, Danielle and Este are native Californians and they have crushed our longing, by dropping new track The Wire.
 
A radical step up from previous material, it appears all that time holed up in the studio, gearing up for their debut album has added new dimensions to the trio's sound. Slick layered guitar phrasing, assertive vocals and sharp guitar hooks are a triple threat Haim have pieced together to their advantage; they certainly know the formula for crafting a track that energises you.
 
To call The Wire otherworldly would be taking it a tad too far. Whilst the group have heated up the musical climate, the usual Haim-isms are present. With any of their songs, it's not too hard to imagine Este pulling that bass face and the trio do have a tendency to concentrate on cascading vocal harmonies.
 
Haim have many things going for them, but the one that draws our attention is the fact that with their searing guitars and faint echoes of Fleetwood Mac, they always remain unapologetic. It's clear they're making music for themselves and if others latch on then great. However, the lingering question here is how do we get hair like Haim?



 
 
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Silent Party 'Taxidermist'

TaxidermistInjecting hints of Foals and Nick Cave, London's Silent Party have crafted a track ferocious with ambition, Taxidermist  takes us on a trip down the indie rock route that will undoubtedly thrill. Indebted to the epic string selection, frontman Mike Goward's vocals contain an air of artistic gloom and Luke Graham's hectic drumming sets the tune apart.
 
With a sweltering summer in full swing, many new bands are trying their hand at creating anthems to match the weather. Sure, Silent Party have fallen for the trick that this road will prove to be their winning stab at success, although they throw something new into the mix. Catchy and intriguing, the track brims with a dark intensity that sees it soar. Searing guitars and ambiguous lyrics show the potential the band truly have.
 
Silent Party operate on a level above their competition. Sleek and expertly paced, Taxidermist manages to maintain your full attention throughout - that in itself is an achievement.
 

 
 
 
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Catfish and The Bottlemen 'Pacifier'

Each Monday, as part of XFM's 'Summerfest' series, the radio station will deliver a free download from a band or artist who are expected to turn heads and make a scene on the festival circuit this summer. Previously featured on Rock Revolver with their debut single Homesick, Catfish and The Bottlemen are the latest band to release a free download for XFM's Summerfest.
 
The Llandudno four piece are back with the B side (to Homesick). Pacifier reworks thrash guitar elements from it's flipside, once again proving they're not afraid of a big chorus. Whilst the catchiness of Homesick was undeniably good, it hasn't been employed on this track. Although, guitars swirl here and fizz there, leading us to the revelation that the band's calibre must reach a high standard if they produce B sides like these. Occasionally, it feels as if this track almost outdoes it's A side. Almost, but not quite.
 
 
 
 
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The Sundowners 'Don't Come Knockin'

 
Having returned from Glastonbury Festival, after their exhilarating live set on the BBC Introducing Stage on Friday (28 June), Wirral's very own The Sundowners are once again tickling the fancies of fans with their latest track Don't Come Knockin. The five-piece band of siblings and friends are often compared to Fleetwood Mac, with this offering there are faint echoes of that sound, although what we should be talking about is the breathless clatter and far out riffs they have emblazoned.
 
The white hot tune commands you to dance until you get stitches in your stomach, the feminine Liverpudlian lilt works in their favour and not once does it pause for breath. Pulsing with intensity and retro vibes, that takes a lot to master, The Sundowners border on authenticity and know which direction will inevitably lead them to success. With great tunes and great haircuts, you'd be a fool not to keep a watchful eye on this band.
 
 
 
 
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Burning Condors 'Dirty Girl Blues'

Burning Condors - Dirty Girl Blues SINGLEEver since Queens of the Stone Age came along and swept us in a frenzy with their stoner rock, countless bands have fallen for the sound and have brewed slices of rock so similar, with their filthy riffs  and chest thumping volume. This is where London's Burning Condors arrive, along with frazzled twangs and a snarling vocal - the four-piece are a welcome break from the bands ripping off Josh Homme & co's sleazy sizzles.

Due for release on 15th July, third single Dirty Girl Blues is coloured by influence (looks pointedly at The Beach Boys). This track is one which will strip your innocence, pulling it apart thread by thread, until all you're left with is a silhouette of your former self - a rather sassy silhouette. Covered in leather head to toe, a permanent snarling expression and the ability to pull off double denim (without so much of a flinch), Burning Condors have crafted a track so corruptive; parents will shake their head with dismay, but we're having the last laugh.
 
Without a pause for breath, the band kick up a fuss and veer away from all other contenders. Lyrically, it's not the greatest but it is an improvement over previous tracks. If Burning Condors continue to amp it up and produce music like this - success will undoubtedly follow. Dip into this band if you're up for a bit of raunchiness.
 
 
 
 
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Catfish and the Bottlemen 'Homesick'

Explosive Llandudno thrash guitar four piece Catfish and the Bottlemen are set to release their debut single Homesick on June 17th. Having worked with producer and Communion co-founder Ian Grimble (who's also worked with Red Hot Chili Peppers), the band have crafted an enthralling listen, sampling their talents and ready to capture music lovers' hearts.
 
The track, a brief take on the trials and tribulations of love sickness, opens on a hazy note with stirring guitars and tender moments galore! Pelting drums and even catchier choruses lead us to the epicentre of explosion, before coming full circle and entering subdued territory once more. With frontman Van McCann telling us, "I'm only looking out for you! You know it's obvious that's a lie!", you can't help but get the feeling that North Wales' most promising export have a tale or two to tell (even if it does sound a little like the Goo Goo Dolls' Iris every now and then).

Having picked up early support on the radio from the likes of Zane Lowe, Huw Stephens, Phil Taggart & Alice Levine and Steve Lamacq, the band are swiftly on their way to proving themselves to be the new indie staple of the music industry, especially since their packed out set at The Great Escape Festival last month.

Catch Catfish and the Bottlemen on their headline UK tour and get their sound in your lives now; you won't regret it.
 

 
 
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The Orwells

Illinois based flower punk band The Orwells may only be young, (at eighteen years of age) but they sure know a thing or two about making quality music. Signed to Autumn Tone Records, the American five piece have gigged with high profile bands such as Palma Violets, and more recently they were pleasing crowds at Brighton's The Great Escape Festival. Connected by the same musical tissue, The Orwells capture punk's finer moments and forge a musical identity of their own.
 
Produced by Dave Sitek, the band treat us to three minutes of assertive riffs on Other Voices. With frantic drumming and an accelerating pace, The Orwells exert a sound beyond their years, transporting listeners back to the noughties when The Strokes were in their prime. Mallrats, is another rough and ready number with raw garage vocals scattered throughout the track. Little has been said about the band's influences, but with mega tunes like these it wouldn't be a surprise if The Rolling Stones and The Stooges turned out to be the ones.
 
Final track, Head continues in the same vein we've been travelling down. With a sense of menace here, and pulsing guitar lines there, The Orwells have crafted a scratchy riffed racket that will linger in listeners minds. The band describe themselves as sounding "real raunchy and shit", whilst raunchy they are, shit they are most definitely not.
 


 
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